Peter Moore 128 pages hardcover
Opened to the public in 1910, McKim, Mead & White's Pennsylvania
Station featured a dramatic vaulted glass ceiling over its expansive
main concourse and was inspired in part by the Roman Baths of Caracalla,
giving visitor and commuter alike an experience of grandeur in entering
and leaving the city. The decision in 1962 to replace the old station
and its subsequent demolition ultimately proved to be key moments in the
birth of the historical preservation movement--a movement that came too
late to save Penn Station itself. But during this period one might on
any given day of the week, have seen Peter Moore in the station,
carefully photographing the building and the process of its destruction,
even as above his head--and above the heads of the 200, 000 commuters
who transversed the station each day--cranes were beginning to take down
what had been one of the grandest public buildings of the twentieth
century. Moore visited the Station again and again between 1962 and 1966
to document its architectural form as well as the drama of its
''unbuilding.'' The resulting photographs combine compositionally
elegant images of architectural form and details with haunting pictures
of glass and masonry stripped away from steel girders as the building is
progressively demolished.